Curator’s Comments: Vantablack and Artistic Freedom

By Dagmar Painter

In the sometimes rarified world of art and artists, there has recently emerged a controversy that I think serves to illustrate a greater truth, that of artistic freedom and the power of the artist to illuminate injustice and spur social change. World-famous artist Sir Anish Kapoor has acquired the exclusive rights to a type of carbon-based pigment called Vantablack, “the blackest shade of black ever made,” according to numerous articles published in Smithsonian Magazine, the Daily Mail, Artnet News, The Huffington Post, etc.

Hear Dagmar Painter’s question at the Middle East Institute’s “Art in Response to Conflict” seminar

In February 2016, The Middle East Institute co-hosted a panel discussion exploring the value and impact of the arts in conflict zones. The panel was organized with the Media Lounge at the College Art Association’s annual meeting in Washington, D.C.

September 2014

I have just returned from viewing Here and Elsewhere at the New Museum in NYC. The show reflects the concerns of 45 artists living in the Arab world or the diaspora, as well as addressing the dilemma of culturally defined art, and art as representation of an expected political or cultural stance.